Entry tags:
.art: Cover for
fiercelydreamed's "Unidentified" and noir AU
A couple experimental pieces, by which I mean experimental for me. One is a cover for
fiercelydreamed's really, really awesome Unidentified, and the other is a draft of a cover for the noir!AU
villainny and
amberlynne have been interested in.


1: At some point when I was supposed to be doing something else, I wanted to see how many layers I could handle before losing my mind (answer: 215), and producing something like Rodney's "memory wall" in "Unidentified" seemed like a good way to do it. Unlike the collages I do for textures, I wanted to try something that would have an identifiable (pun intended?) subject, and with everything--at least on the board, not so for the background elements--relating to each other. Pretty much every image on the board pertains in some way to Rodney and his interests: his friends, places he might have been or should go some day, science fiction stuff, cool physics things, a photo of Johnny Cash that John probably put there at one point for purposes of antagonism.

2: I suppose this is really only noir-inspired; I tried to adapt some of my fonts (I think this is Futural) to 40s/50s-style typefaces, and the coloring is mostly monochrome to mimick the greyscale-sort of atmosphere from the classic films. If this was really properly 1940s noir, I guess it should be hand-drawn and painted, but in the absence of mad drawing skillz, I borrowed a heavily-desaturated and erased John from a Nantucket piece for a placeholder. Like the story that might eventually go with it, it's just a battered, lousy pulp paperback, complete with coffee stain and folds in the corners.
Now that I feel a bit less like I'm falling over myself, I might actually be able to do decent stuff for
paintedspires, which is a happy thing.


1: At some point when I was supposed to be doing something else, I wanted to see how many layers I could handle before losing my mind (answer: 215), and producing something like Rodney's "memory wall" in "Unidentified" seemed like a good way to do it. Unlike the collages I do for textures, I wanted to try something that would have an identifiable (pun intended?) subject, and with everything--at least on the board, not so for the background elements--relating to each other. Pretty much every image on the board pertains in some way to Rodney and his interests: his friends, places he might have been or should go some day, science fiction stuff, cool physics things, a photo of Johnny Cash that John probably put there at one point for purposes of antagonism.

2: I suppose this is really only noir-inspired; I tried to adapt some of my fonts (I think this is Futural) to 40s/50s-style typefaces, and the coloring is mostly monochrome to mimick the greyscale-sort of atmosphere from the classic films. If this was really properly 1940s noir, I guess it should be hand-drawn and painted, but in the absence of mad drawing skillz, I borrowed a heavily-desaturated and erased John from a Nantucket piece for a placeholder. Like the story that might eventually go with it, it's just a battered, lousy pulp paperback, complete with coffee stain and folds in the corners.
Now that I feel a bit less like I'm falling over myself, I might actually be able to do decent stuff for

no subject
Come to think of it, it may be possible that "215" in Photoshop equals "billions and billions" in other venues.
no subject